91ÖÆƬ³§

Towards an Art History of the Parish Church, 1200-1399

Edited by Meg Bernstein

Preface byÌýMeg Bernstein

Chapter 1: The English Parish Church as an Object and Category of 91ÖÆƬ³§ byÌýJulian Luxford

Chapter 2: The Parish Church in 1200 byÌýJohn McNeill

Chapter 3: Big Data: Some Brief Observations on the Application of the Concept to the Medieval Architecture of Parish Churches byÌýAndrew Budge

Chapter 4: Models, Copies, and Mendicants: The Origins of the Late Medieval English Parish Church in Historiographical Perspective byÌýZachary Stewart

Chapter 5: Shared Space: Templars, Hospitallers, and the English Parish Church byÌýCatherine E. Hundley

Chapter 6: Show Some Decorum: Against an Imitative Model in the English Parish Church byÌýMeg Bernstein

Chapter 7: The Parish Church Illuminated byÌýTom Nickson

Chapter 8: A Phenomenological 91ÖÆƬ³§ of the English Parish Church Porch, c.1200–1399 byÌýHelen Lunnon

Chapter 9: The Case of Arbogast: Image and Identity in a Swiss Gothic Parish Church byÌýLyle Dechant

Chapter 10: Monumental Marginalia: the Sculptured Frieze at Cogges (Oxfordshire) byÌýNicola Lowe

Chapter 11: Towards an Art History of the Parish Church: An Afterword on Explanation, Meaning, and Experience byÌýPaul Binski