This day-long symposium takes as its subject the status of drawing since 1960 as a complex and dynamic medium. Bringing together artists, curators, and art historians, the symposium will explore drawing鈥檚 status as a significant medium in its own right, beyond notions of the preparatory and private. Through a series of short papers, artist presentations and roundtable discussions, speakers will address a range of processes, approaches, and themes in contemporary drawing.听No longer constrained to paper or canvas as its sole support, drawing now belongs as much to the realm of the readymade or found object as it does the mechanical and the digital, placing established notions of the intimate and听hand-drawn under productive pressure. 听Bringing together leading scholars, artists and curators, our conversations over the course of the day will range widely to听include issues of materiality and making, the environmental and the conceptual, the precarious and provisional, and the durational and tactile nature of the drawn image.
Organised by Jo Applin (91制片厂) and Jessica Akerman (Artist / 91制片厂).听
Programme
11.15 鈥 13.15 Session 1
Introduction, Jo Applin and Jessica Akerman (Courtauld Institute of Art)
Mary Doyle (Drawing Room) in conversation with Jo Applin and Jessica Akerman
Ed Kr膷ma (University of East Anglia): 鈥楳arking Time, Moving Images: Drawing and Film鈥
Margaret Iversen (University of Essex): 鈥業ndexical Drawing鈥
13.15 鈥 14.15 Lunch (provided for speakers only, Research Forum Seminar Room, Floor 2)
14.15 鈥 15.30 Session 2
Lucy Skaer (Artist) in conversation with Stephanie Straine (Modern Art Oxford): 鈥楢vailable Fonts: looking at drawing as language鈥
Briony Fer (UCL): 鈥榙oing things on paper鈥
15.30 鈥 16.00 Tea break (Research Forum Seminar Room, Floor 2)
16.00 鈥 17.30 Session 3
Anna Lovatt (Southern Methodist University): Paperwork: Conceptual Art and the 鈥淧ink-Collar鈥 Worker
Tania Kovats (Artist): 鈥楧rawing Water鈥
17.15 鈥 17.30 Concluding remarks, Jo Applin (Courtauld Institute of Art)
17.30 鈥 18.30 Reception (Research Forum Seminar Room, Floor 2)
Sponsored by the Terra Foundation for American Art.
Sponsored by