Join us for the launch ofÌýimmediationsÌýno. 17 in its first-ever online iteration.ÌýTo debut our 2020 issue and celebrate its contents, this informal event will featureÌýspeakersÌýfrom the journal’s contributors and from members of the Editorial board. Through a series of short interventions, ³Ù³ó±ðÌýspeakers will introduce a selection of features from the journal and expand on them by means of videos, images and text, taking us beyond their articles and behind the scenes of the journal itself.ÌýÌý
In its seventeenth year,ÌýimmediationsÌýcontinues to showcase and support the research of postgraduate and early career researchers at The Courtauld. The 2020 issue, featuring six articles that span from the Byzantine world to the contemporary post-Anthropocene and five exhibition reviews, is an important testament to the resilience of all its contributors. The journal raisesÌýquestionsÌýregardingÌýtradition, institutions and artistic practice, also in conversation with contemporary artists.ÌýOur cover work by the artist collective Slavs and Tatars,ÌýKitab Kebab (Fatima et Marie)Ìý(2020), created especially forÌýimmediations, and the verso coverÌýPavement Prose:Ìý´³Ä™³ú²â°ìÌýlataÌýjakÌýÅ‚´Ç±è²¹³Ù²¹Ìý(2016)Ìýare unpacked in the journal in a discussionÌýbetween Payam Sharifi of Slavs and Tatars and BellaÌý¸é²¹»å±ð²Ô´Ç±¹¾±Ä‡Ìýand Chelsea Pierce from the editorial board. Featured in this number is also a conversation between Associate Editor Laura Franchetti and London-based artist FloraÌýYukhnovich.
Organised by Ambra D’Antone (The Courtauld) and Erica Payet (The Courtauld)Ìý